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3.50

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3.50 is a 2013 Cambodia/Singapore crime thriller by Chhay Bora.
With Doung Cheanick, Leang Honglee and Eunice Olsen.

Moroccan writer-director Nabil Ayouch (‘Much Loved’) follows the fate of several characters living in Casablanca in this Toronto Platform premiere. The Hollywood Reporter Movies. ‘Hello Kitty’ Movie in the Works 05. Razzia (2017) Drama. Story of young unemployed Moroccan who lost his future despite getting a university degree which. Bethween the period when he played in (NAGE TA MERE) in 1999 and the TV serial (RAZZIA) in 2018, Amine was involved in several projects theatre, television and films nationally and internationally. And from 2004 Amine took part in a lot of plays translated from English and French to Moroccan dialectic.

Cambodia: Banned

See article from phnompenhpost.com :

Filmmaker Chhay Bora, who directed the yet-to-be released 3.50 , said that the censorship board has never explained to him their grounds for evaluating movies.

It's like walking in the jungle with no road map to follow, said Bora, whose film on sex trafficking was supposed to be released last October but never received final approval. Although his script was approved, Bora said that the censorship board has failed to reach a verdict on the final version. No specific cuts have been ordered by the ministry, he said, but feedback he received suggested that censorship board members were concerned about the movie's heavy social commentary.

The Ministry of Culture film department said they didn't ban the film, but they didn't grant the licence yet, said Bora, adding that although the film's dialogue did not seem to cause controversy, the censorship board expressed concern over not less than 10 shots. Some of the criticism, Bora said, was over shots that the board claimed represented Cambodia in a bad light, such as a taxi driver throwing a cigarette out the window and a scene within the impoverished White Building community on Sothearos Boulevard.

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Bora also said that other scenes were too political for the censors' comfort, such as a shot of a character walking down a dusty road with Prime Minister Hun Sen's office visible in the background.

Bora also said that the board insisted that all plot conflicts be resolved before the credits roll. In particular one of his characters, after escaping a brothel, is last seen joining a group of other former sex workers instead of trying to return home. Her ultimate fate is never revealed, but the possibility of her returning to sex work is not ruled out.

The censors said: why don't you find a solution for her, to find an NGO or new job? And I said that's not my job. The filmmaker has no possibility to solve the social problem.

Summary Notes

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When a young Cambodian village girl is sold off into prostitution, a brash American documentary filmmaker ventures deep into the underbelly of Phnom Penh to pursue her story and rescue the girl, crossing paths with various other lives affected by the unspeakable terrain of the country's virginity trade.